Is It Possible to Print Image on Canvas in Art

Ever since we started our sail printing services over a decade ago, I have had people ask me if they can print a photo or other digital prototype and then paint over it.  Initially we only would get this question on occasion however at present information technology seems nosotros are asked about doing then all the fourth dimension. The answer is a simple "yes" with many artists painting direct on their canvas print.

I like to allocate painting over sail prints in two categories. One is using the image printed on canvas every bit an under painting while the other is the process of highlighting or calculation embellishments.  Possibly we can include a third classification which I volition bear upon on very briefly which would exist somewhere between the two. I would probably define it equally sort of a mixed media approach.

The under painting method volition be the nigh comprehensive surface area we will hash out since someone repaints the unabridged paradigm with paints and is using the original photo printed on canvas for reference. Traditionally, an nether painting is created with pigment the artist blocks in equally not detailed discipline matter on the canvas. The purpose is to give the creative person a sense of limerick and help guide them when they showtime painting in greater detail.  Afterwards they paint over the under painting in much greater detail. With the invention of actually printing on canvas, artists tin can now use photos as their under painting giving them a greater sense of accuracy.

You would be surprised at how many professional artists employ this method. Ane customer of ours who does historical fine art takes photos from festivals with re-enactments and composes them together with Adobe Photoshop. She then has them printed from which she creates an original piece of work of art. Her paintings sell very quick, so ironically she turns around and has those "original" scanned or photographed correct away so she tin can then gild prints made later. Other artists we know apply painting programs and create low detailed simulated painting from either photos or from scratch which they then paint over.

The second way of painting over an image is usually referred to as highlighting or embellishing. The highlighting pick is easier than painting over the entire epitome since it requires less skill and experience with paints. The epitome highlighting is the procedure of calculation daubs of paint to various portions of the image for the added benefit of actual pigment and brush stroke texture. To get the actual look of a painting and not just the wait of daubs of paint I recommend people kickoff apply an outcome to the digital epitome which gives it a painted look. We will talk more about that in detail below.

Many times professional artists utilize highlighting to give their reproductions greater value and await more like an original while preserving the look. The late Thomas Kinkade, otherwise known every bit the "Painter of Lite" did this (or had people to do this for him) which enabled him to successfully sell his prints at very loftier prices. If you are a skilled painter but reluctant to bury your print entirely in paint correct away, I would offset with the highlighting option and gradually use more paint as you lot become comfy with it.

Finally at that place is the mixed media approach. Normally when we think of mixed media as it is understood in the art community we think of a combination of various mediums (paints, pastels, inks, etc). Today that can besides include digital prints produced via an inkjet printer. To bear on briefly on this method, I consider this somewhere between highlighting the print with paint and painting entirely over the print.  You might go out some areas untouched while painting over others. There is no set dominion on this so deciding at where to stop painting on a print is entirely up to the artist and what they feel comfortable with.

Step i – Giving the photo a painted look

Before getting started you must make up one's mind what you are going to paint and how will you format it. I am assuming you lot will desire to pigment something like a mural or portrait from a digital photograph so deciding what to do with that photo before painting on it is an important decision. In my case I like to apply an artistic painterly effect to the prototype commencement since I don't programme to repaint the entire image merely only enhance the wait past giving it more of the feel of a painting. At the same time I want my viewer to retrieve they are looking at an original work of art.

There are three software programs offered by the people at Corel (http://corel.com. All of these programs let you click something like a "play push" and the software automatically starts to pigment stroke by stroke.

My favorite is Corel Painter. To me, Painter is sort of like and earlier version of Photoshop just geared toward artists.  Photoshop users will find the interface similar. It's a footling pricy and retails for at least several hundred dollars since it is used by serious hobbyists and professional illustrators but in my opinion is the best choice since it has a huge array of painterly like brushes and brush settings. Beneath is a quick example of a photo using this technique.

Fortunately there is a consumer level version which is a lot of fun called Corel Painter Essentials. Final I checked the auto painting selection does just as adept a chore. It does not have every bit many brushes or brush furnishings but  the software only runs  about $threescore.

Finally, and something relatively new is a programme called Paint-it which retails about $twoscore. I have non tried out the software more than than once but from what I can tell it primarily does what you lot will need at the basic level.

Yous will want to do a search online on Corel tutorials on how to use these programs to brand a photograph look like a painting. The good news is all these programs are offered equally fully functional trial versions which y'all can download at the Corel website. I would exam them out before ownership and follow some of the video tutorials on the Corel web site.

I last notation on the offset two programs: After running the auto-pigment I similar to further work on the image by hand. It'southward possible to exercise it with but your mouse but to really brand information technology look similar information technology was washed by hand use something like a Wacom stylus tablet (http://wacom.com) every bit pictured here. The stylus tablet plugs into your computer and has a special force per unit area sensitive pen and then it is like really drawing or painting. Admittedly it takes a little getting used to but in one case you lot do your digital brush strokes look more organic and natural to the eye.

My next favorite is a programme that tin can either exist used lonely or as a Photoshop plugin chosen Snap Fine art. It's the easiest to use and with a few clicks you lot can get results almost as practiced as Corel Painter. Sometimes I like to employ both Snap Art and Corel Painter when it looks similar Corel Painter by itself keeps an image looking too much like a photograph.

Lastly, programs like Adobe Photoshop or Photoshop Elements will work since they allow you to employ artistic filters to your epitome. I think the filters practise a decent task, especially if you lot plan to apply a lot of paint over the paradigm but other than that I think the filters have a bit to be desired. There are some people very skilled at Photoshop that employ other techniques or use a combination of filters and Photoshop brushes but information technology requires some very avant-garde Photoshop skills.

Step 2 – Printing Your Digital Painting

Once you have applied your painted look to your photo, you may be tempted to end there. If so, that is fine but if yous want to use bodily paints to make both look and feel similar a painting, the next step is to print it on canvas. That is where FinerWorks can come in. Almost of our artists will order their canvas unmounted. I don't think it has to be unmounted but I prefer it that manner myself since I like to paint with information technology flat on a table.  On the other manus if you exercise not accept whatever canvass mounting skills or mounting tools and so it is best to order the canvas stretched and mounted.

Stride 3 – Applying Your Pigment

Before applying the paints you might exist wondering if y'all demand to treat the impress with any sort of special coating. If you are ordering your prints from FinerWorks you do non need worry most that since nosotros coat the printed sheet with a clear coat terminate for y'all.  This protects the inks from smudges and scratches but most of all seals the inks so they volition not react with the paint.

If you are using some other company for your canvas prints, you may take to experiment with different coatings to come across if you run across bug such equally inks or the primer on the sail non working with the finish.  I call up one time where we were looking at switching to a unlike canvas produced and labeled past a well known ink jet printer company. Within seconds after applying a clear coat to protect the inks, we saw the printed prototype turn cloudy white due to the primer on the canvas reacting with the coating. When I researched this online I found out this make of sail had bug with about coatings. Apparently we chose non to become with that canvas but I have heard of similar stories by artists who ran into similar problems when they ordered canvas prints from companies that did non provide whatsoever coating.

Adjacent I am going to address is which is better, oils or acrylics. My answer is whichever you adopt. If you don't have a lot of painting feel you lot might prefer acrylics merely for the ease of cleaning upwards later. Just keep in listen acrylics dry much quicker than oils so if you are taking your time, you might need to wet the paints on your pallet every now and and so. Some artists use a spray bottle with a little water to occasionally rewet their paints. Overall from conversation with artists who paint over their prints on a regular basis, I take non heard of any instance where there was a problem using either oils or acrylics.

I likewise similar to add a bit of a gel medium to the paint which thickens it. Once I have mixed or selected the pigment I am using and added it to the pallet, I include the gel. This thickens upward the paint and gives the daubs applied more than texture.  I primarily piece of work with acrylics at present so a good brand to get-go with is Liquitex.

Starting time out by deciding on those areas you want to add paint, take a pocket-size castor and accept fun. Try to adapt to the brush strokes of your digital painting every bit much as possible. You lot can too have some of the gel medium without any paint mixed in and with larger brushes apply brush stroke texture to areas. At that place are no rules other than what you prepare for yourself so apply as much or little as you feel comfortable with.

In summary, painting over a sail print tin is easier than you might call back and can be quite fun. The apply of a digital paint programme helps increase the appearance of a painted look to your paradigm. Applying actual daubs of paint and a gel gives it even a more than authentic and painterly look. Finally when all is said and done you lot take your own mixed media painting. Accept fun!

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Source: https://support.finerworks.com/help-my-prints/how-to-paint-on-a-canvas-print/

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